The Da Vinci Code, authored by Dan Brown, has quickly become an international bestseller and is now in theatrical release.1 Because of its depiction of Jesus Christ and Christianity, this fictional page-turner has caused vociferous reactions far outside the literary world. Page one of the work, entitled “FACT,” asserts that “All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate.” The book actually includes numerous historical inaccuracies, however. For the sake of time and convenience, this article will simply highlight those factual errors surrounding the book’s portrayal of early Christianity.2 These historical blunders particularly concern the fields of canonicity and Christology and are especially concentrated in the discussions on pages 230–259.